Why do I love music? What do I still not understand but need to know? What horizons, stories and details around the musical experience am I not even aware exist yet? Aula Palau offers a programme of learning and awareness-raising activities designed to provide the tools needed to enjoy and understand the miracle that takes place on stage. Courses, listening sessions, presentations and monographic sessions to learn more, explore the keys to music in greater depth and develop well-founded critical judgement. A space to build community, discover and learn.

Master in Good Hearing

If we speak of proportions, there is one that is very easy to observe in Beethoven’s work: for each Symphony, the composer left us—approximately—two Quartets and four Sonatas. In his early years in Vienna, Beethoven used his piano sonatas as his calling card as a virtuoso: around twenty in just seven years, while his six Op. 18 quartets paved the way for his first two symphonies. In his middle period, the pace of the sonatas slowed to give way to his most famous symphonies (from the Eroica to the Eighth), and the three genres coexist in balance. In his later years, the symphony became a unique event (the Ninth), and the sonatas disappeared after Op. 111 as he devoted himself obsessively to string quartets as his purest form of expression.

Within the framework of the complete cycle of Beethoven’s Symphonies conducted by Daniele Gatti, Professor Carlos Calderón presents a cycle of six lectures with abundant audio and multimedia examples to explore what we have called the “Beethoven Laboratory”.

We will thus attend this “workshop” in which the piano serves as the experimental basis on a personal level; the quartet becomes a design space for a circle of friends; and the symphony, an act of public proclamation. At the end of his life, when he no longer had anything to proclaim because his deafness was almost total, nothing to share because his social isolation was nearly absolute, he stopped using the piano and the orchestra to remain solely with the quartet: four voices that were, in fact, in his mind, discussing the limits of beauty and of his own musical laboratory.

  • The laboratory takes shape
  • Various explosions
  • Expansion
  • Consolidation and freedom
  • Humour and love
  • Silence and beyond

Six sessions: 3 and 17 February, 3 and 17 March, 13 April and 12 May at the Petit Palau.

Schedule: from 6:00 to 7:30 p.m.

Price: Subscribe to all 6 sessions for €125 / €25 (single session).

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Master in Good Hearing

The most emblematic artistic projects of the season are given a space to explore and share the keys to understanding the scope of composers, scores, and their context. With the help of renowned speakers, we will offer the essential tools to prepare for concerts and delve into the reality of must-see performances.

From Leipzig to the world: Bach’s Passions, from 1724 to today

In 1724 and 1727, in Leipzig, Johann Sebastian Bach presented two works intended for the Holy Week liturgy that would later become pillars of Western music: the St Matthew Passion and the St John Passion. These lectures propose a journey from their original context to their rediscovery and modern reception: how and why these works have moved from the church to the concert stage and continue to resonate with audiences today.

Oriol Pérez i Treviño (Manresa, 1972). Musicologist and essayist. He is the author of several books, some related to the Bachian universe, among which Bach in Time of Pandemic (Dinsic, 2022) stands out.

Activity related to Bach’s Passions in 2027.

Two sessions: 25 February and 4 March at the Orfeó Català Rehearsal Hall

Schedule: from 6:00 to 7:30 p.m.

Price: Subscribe to both sessions for €10 / €6 (single session)

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Master in Good Hearing

With POLYPHONY, we approach the richness of choral singing in Catalonia from its very starting point: the Palau de la Música Catalana. The Orfeó Català Rehearsal Hall, where the first stone of the Palau was laid, is the place from which the institution’s founding purpose branches out: choral singing and the central role of its artistic and social practice.

Through a series of dialogues led by journalist and communicator Pere-Andreu Jariod, we will discover, through the voices of the protagonists themselves, the multifaceted perspective that allows us to conclude that choral singing is deeply rooted in Catalan culture and, more specifically, in the very raison d’être of the Palau de la Música Catalana.

  • Singers
  • The creative process
  • Vocal coaches and accompanists
  • Conducting a choir

Four sessions: 16 December 2026, 29 January 2027, 11 March and 2 June at the Orfeó Català Rehearsal Hall

Schedule: from 6:00 to 7:30 p.m.

Price: Subscribe to all 4 sessions for €18 / €6 (single session).

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Master in Good Hearing

Behind the term “MBA” (Master in Business Administration), applied here as a Master in Good Listening, lies a metaphor (not without humour) that refers to the intelligent management of sensitivity and how it engages with music, its language, its history, its creators, and its performers within the framework of the Palau’s musical activity. Classical music contains complex levels of beauty that require more than simply sitting down to listen.

Across two courses, we will move beyond the simple judgement of “I like it – I don’t like it” and train in good listening by discovering the essential tools for approaching music. From the foundations of its language, its instruments, its artists, and its history. Carlos Calderón, PhD in Humanities, musician and historian, will guide us, together with guest lecturers, along this fascinating path of learning.

MORE MUSICAL LIFE: By enrolling in the MBA, you will not only gain access to fifteen sessions of three hours each, but throughout the season you will also receive proposals for exclusive activities, invitations, special prices for concerts at the Palau, and content tailored to your interests.

All registrations include access to the Aula Palau virtual campus, where you can consult and review all course sessions.

 

Level 1 (in-person or online course)

The MBA · Master in Good Listening course offers tools to identify the elements of music such as its Language; it invites participants to explore historical contexts and historiographical debates surrounding the Creation of the work, the composer, and their time; and finally, it encourages the development of a systematic reflection on what Recreation—or the interpretation of a piece—means, both throughout history and in contemporary contexts. A journey that will take us from the origins of sound to the summit reached in Beethoven’s Ninth.

Fifteen sessions across fifteen Fridays: 9 and 23 October 2026, 6 November, 11 December, 15 and 22 January 2027, 26 February, 12 March, 2, 9, 16 and 30 April, 14 and 21 May, and 11 June.

Schedule: from 5:00 to 8:00 p.m. with a break

Price: €450 (in person)

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Price: €250 (online)

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Level 2 (online course)

Course aimed at students of the first-year online MBA from the 2025–26 season

Once Level 1 of the MBA has been completed, key aspects such as the different definitions of music, the concept of sound, the material nature of instruments, and the historical keys that led us to the essential milestone of Beethoven’s Ninth will have been consolidated. This work represents the culmination of all that has been discussed and forms the basis for everything yet to be explored. We will return to the fundamental approach based not only on sharing knowledge but also on raising awareness and fostering a capacity for deep and responsible listening. We will once again explore the question of why we like what we like. This time, with content addressing the orchestra as a total instrument, the role of its conductor, musical genres (sonata, concerto, symphony, opera...) and a final historical overview reaching the present day.

An aesthetic, philosophical, and sociological journey that will also lead us to understand musical spaces (concert halls, festivals, etc.) and, specifically, the Palau—the classroom that hosts us and where this exciting adventure ultimately culminates.

ONLINE COURSE WITH ACCESS TO ALL 15 SESSIONS.

Price: €250

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Aula Palau