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Paul Lewis & OCM
Complete Concerts for piano and orchestra by Beethoven (I)



Note (04/27/2020): Due to the extraordinary measures imposed by the state authorities in containing the virus COVID-19, the Palau de la Música Catalana is forced to close its doors and postpone/cancel upcoming concerts and activities until further notice.

Due to the unavailability to find a new date, therefore this concert has been cancelled.

Attention: People who have bought tickets and wish to get a refund or exchange them for another concert of the Foundation, should contact the box office by email at [email protected]

The requests for refund or exchange will be handled as soon as possible. We appreciate your understanding and apologize for any inconvenience caused.

PaulLewisOCM-concerts 25 i 26-5-20


Paul Lewis, piano
Orquestra Simfònica Camera Musicae
Tomàs Grau, conductor


L. VAN BEETHOVEN: Concert for piano and orchestra no. 2, Si b major, op. 19
L. VAN BEETHOVEN: Concert for piano and orchestra no. 3, Do minor, op. 37
L. VAN BEETHOVEN: Concert fot piano and orchestra no. 4, Sol major, op. 58


Listen to a retrospective

Observing the stylistic evolution of one of the greatest composers in the history of music is a great opportunity. Following in the footsteps of Mozart, who had opened the way to a new relationship between soloist and orchestra by distributing the virtuosity between them, Beethoven wrote his first concert at 17 years of age and the last at 41. In the course of his lifetime time he maintained some characteristics (they all have three movements, the first is fast in the form of Allegro de sonata, the second is slow and the third is fast in the form of Rondeau) but introduced important novelties that demonstrated his maturity as a composer and as a pianist.

Listening to the numbers 2, 3 and 4 in the first session, and 1 and 5 in the second session will allow us to keep track of the following elements as they progress chronologically: the increase in orchestral strength, the dynamic contrasts and the use of all the extension of the piano; number 3 is the only one in a minor mode and in which he refers expressly to Mozart using a theme of his 24th  Concerto; number 4 is the first in which the piano, instead of the orchestra, introduces the themes of the first movement, and number 5, subtitled "Emperor" by its English publisher is, effectively, a concerto that is well above those of its contemporaries.

Information and tickets

Dates and tickets

  • 25 May 2020
    20:00 h
    Concert Hall

Production information

Prices:de 18 a 56 €
Organized by:Orquestra Simfònica Camera Musicae and Fund.Orfeó Català-Palau de la Música

Other ways to purchase your tickets:


T. 932 957 207

Ticket Office

[email protected]
c/ Palau de la Música, 4-6, 08003 Barcelona

  • JULY: Monday to Friday, from 10 am to 2 pm and from 4.30 pm to 8.30 pm (face-to-face, telephone and e-mail).
  • FROM AUGUST 1 TO SEPTEMBER 5: Monday to Friday, from 10 am to 1 pm and from 17 pm to 8 pm (Telephone and e-mail service)
  • FROM SEPTEMBER 6: Monday to Friday From 10 am to 2 pm and from 4.30 pm to 8.30 pm (Face-to-face, telephone and e-mail) + Saturdays and public holidays from 10 am to 1 pm and 2 hours before the concert (for sale day)