Much has been speculated about the faith conflicts of Beethoven, a composer whose legacy is not usually associated with sacred music; more focused on revealing the agitations of the individual and his time. A deaf and lonely Beethoven, the same one who composed the last three piano sonatas and his Ninth Symphony, builds a song of colossal scope in which the idea of divine perfection and the liturgy proper to the masses pass through the sieve of the abyss typical of Bonn's genius. The Collegium Vocale Gent under the direction of Philippe Herreweghe will guide us through the transcendent journey of a revolutionary through the religious mystery.